I keep a set of rough OnShape models for a small horn-style / Voigt-pipe speaker enclosure—six main bodies plus the usual gaskets, mounts, fasteners and electrical lugs. Each workday (U.S. time) I’ll push fresh sketches or quick edits; while I’m offline I need those files turned into clean, watertight solids ready for PLA printing. Here’s what the role involves: • Straightening up my existing OnShape parts—closing gaps, adding proper fillets and draft, and ensuring every feature survives a slicer’s manifold check. • Tweaking dimensions or internal guides so the finished prints assemble accurately and the acoustic path stays true; functionality is the driver. • When I upload a hand-drawn idea, converting it into a fully-featured Part Studio that nests neatly with the rest of the enclosure set. Everything must be optimized for standard FDM constraints (0.4 mm nozzle, 0.2 mm layer height, PLA, minimal supports where possible). If you already know loudspeaker design quirks—flare rates, driver cut-outs, captive nuts for binding posts—that’s a welcome bonus. We’ll work hourly with bi-weekly milestones inside OnShape’s built-in version control so I can test-print and give feedback the same evening. A different timezone is perfect; hand-off at the end of my day means fresh updates waiting when I wake up. If that cadence suits you and you’re comfortable living inside OnShape while thinking like a Maker, let’s get started.